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When most of us hear the word “movie”, we think of Hollywood — fair, given the global domination of Hollywood-produced Spielberg and Harry Potter films, but perhaps a tad ignorant, considering India’s Bollywood produces twice Hollywood’s output every year and reaches a larger audience. As demonstrated by the quality of the films in our Streaming Cinephile piece, foreign films deserve a place in the spotlight. But while that list only featured foreign language films available for streaming on Netflix, this list features the top foreign language films, Now, without further ado, grab some popcorn, sit back, and dim the lights. The show’s about to start. Tokyo Story (Tōkyō Monogatari?) is a 1953 Japanese film directed by Yasujirō Ozu.
It tells the story of an aging couple who travel to Tokyo to visit their grown children. The film contrasts the behavior of their children, who are too busy to pay them much attention, and their widowed daughter-in-law, who treats them with kindness. It is often regarded as Ozu's masterpiece, and has appeared several times in the British Film Institute lists of the greatest films ever made. It was inspired by the American film Make Way for Tomorrow (1937).
Persona is a 1966 Swedish film written and directed by Ingmar Bergman and starring Bibi Andersson and Liv Ullmann. Persona’s story revolves around a young nurse named Alma (Bibi Andersson) and her patient, a well-known stage actress named Elisabet Vogler (Liv Ullmann), who has suddenly ceased to speak.
The relationship between the two women becomes strained and the border between dream and reality becomes blurred. By the end of the film the identities of Alma and Elisabeth appear to merge. Persona has been labelled a psychological drama and modernist horror and was subject to cuts due to the film’s controversial subject matter. Samsung Programs For Reinstall on this page. It is the sixth collaboration between influential cinematographer Sven Nykvist and director Ingmar Bergman and features their trademark minimalism. As with Bergman’s other works, the film is shot and set in Sweden and deals with the themes of illness, bleakness, death and insanity.
Persona is considered one of the major works of the 20th century by essayists and critics such as Susan Sontag who referred to it as Bergman's masterpiece. Other critics have described it as 'one of this century’s great works of art'. In Sight and Sound’s 2012 Greatest Films Poll it comes in at 17th in the critics poll (tied with Akira Kurosawa's 'Seven Samurai') and 13th in the directors poll. Persona won the award for Best Film at the 4th Guldbagge Awards and it was Sweden's entry to the 39th Academy Award category for Best Foreign Film.
It currently holds a 92% 'Fresh' rating at Rotten Tomatoes. The film was released on 31 August 1966, while the promotional premiere took place on 18 October 1966 at the Spegeln cinema in Stockholm. The film opened in the U.S.
On 6 March 1967. Pather Panchali, English: Song of the Little Road) is a 1955 Bengali drama film directed by Satyajit Ray and produced by the Government of West Bengal, India. It is based on Bibhutibhushan Bandopadhyay's 1929 Bengali novel of the same name and is Ray's directorial debut. It features Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta and Chunibala Devi in major roles. The first film in the Apu trilogy, Pather Panchali depicts the childhood of the protagonist Apu (Subir Banerjee) and his elder sister Durga (Uma Dasgupta), and the harsh village life of their poor family. Production was interrupted due to funding problems and took nearly three years.
The film was shot mainly on location, had a limited budget, featured mostly amateur actors, and was made by an inexperienced crew. The sitar virtuoso Ravi Shankar composed its soundtrack using classical Indian ragas. Following its premiere in 1955 during an exhibition in New York's Museum of Modern Art, Pather Panchali was released in Calcutta the same year to enthusiastic reception. A special screening was attended by the Chief Minister of West Bengal and the Prime Minister of India. Critics have praised its realism, humanity and soul-stirring quality, while others have called its slow pace a drawback, and some have condemned it for romanticising poverty. Scholars have commented on the film's lyrical quality and realism (influenced by Italian neorealism), its portrayal of the poverty and small delights of daily life, and the use of what the author Darius Cooper has termed the 'epiphany of wonder', among other themes. The tale of Apu's life is continued in the two subsequent installments of Ray's Apu trilogy: Aparajito (The Unvanquished, 1956) and Apur Sansar (The World of Apu, 1959).